Pos. |
Track |
Dauer |
A1 |
Jazz Is Merely The Negroes Cry Of Joy & Suffering |
|
A2 |
Introit – Joy N’ Suff’rin |
|
A3 |
Jazz Is The Musical Expression Of The Triumph Of The Negroes Spirit |
|
A4 |
Kyrie Eleison – Lawd Hav’ Merci |
|
A5 |
This Endless Repetition Is Like A Chain Around The Spirit. And Is A Reflection Of The Denial Of A Future To The Negro In The American Way Of Life |
|
A6 |
Dias Ire – Chain Around The Spirit |
|
A7 |
Another Restraining Factor In Jazz Are The Changes |
|
A8 |
Tuba Mirum – The Changes |
|
B9 |
The Negro Experiences The Endless Daily Humiliation Of American Life Which Bequeaths Him A Futureless Future |
|
B10 |
Rex Tremendae – Futureless Future |
|
B11 |
The Negro Transforms America’s Image Of Him Into A Transport Of Joy! |
|
B12 |
Recordare – Recall The Joy |
|
B13 |
Jazz Reflects The Improvised Life Thrust Upon The Negro |
|
B14 |
Confutatis – Repression |
|
B15 |
Through Spirituals, Through The Blues, Then Through Jazz We Made A Memory Of Our Past And A Promise Of All To Come |
|
B16 |
Lacrimosa – Weeping Our Lady Of Sorrow |
|
B17 |
Because Jazz Is The One Element In American Life Where Whites Must Be Humble To The Negro |
|
C18 |
Offerturium – Hostias – Humility |
|
C19 |
Only When Whites Have Paid The Price In Suffering To Be The Negroes Equal |
|
C20 |
Sanctus – Holy, Holy, Holy |
|
D21 |
The Jazz Body Is Dead But The Spirit Of Jazz Is Alive |
|
D22 |
Agnus Dei – Jazz Is Dead! |
|
|
Lux Aeterna – Eternal Light/My Rhapsody |
|
D24 |
Long Tone For Rayna Golding (A Binti Zawadi Our Future) |
|